Mike and his friends, who watch Andre put on his show, attempt to change up their routine before they hit Myrtle Beach, to show the town that they can still do what those half their age can and do it better.Soderbergh's directorial flare kicked in with "Magic Mike" during the spacious dance scenes, which showed the entire stage as a playground for Soderbergh's tricks, with lighting, decorations, and choreography being placed at the forefront during as well. Andre is a younger, ostensibly more energetic presence than the former "Kings of Tampa" and his ability to dance flawlessly and make up an impromptu song for the women he serenades puts him clearly at the top of his game.
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The scene is uproariously funny and one of the most positive scenes I have yet to see this year, but it also works to prove to these men that they can still give a woman the fun she wanted.More of this insecurity sets in during a large bachelorette party that has Andre Donald Glover, an R&B/rap singer and professional dancer, at the helm. Consider the scene when the boys are high off Ecstasy and dare Richie to waltz into a gas station and make the unhappy older woman behind the counter smile with a dance routine to the Backstreet Boys. For one, Mike wants to prove that he still has what it takes to be a talented dancer but the other is something greater, something all the guys quietly want to prove.Mike and the gang want to prove that they still have what it takes to make a woman happy, joyful, and filled with the kind of excitement that she desires when venturing out to a strip club with her female friends on a Friday or Saturday night. He decides to drop everything and head down to Myrtle Beach with his buddies for one last dance to prove multiple different things. When he is contacted by Tarzan Kevin Nash, who lies and says that their old friend and coworker Dallas Matthew McConaughey in the original film has died, Mike rushes to find that Dallas went to perform overseas and the guys lied to him simply so they could see him again.Upon listening his old friends and dancers such as Ken Matt Bomer, "Big Dick Richie" Joe Manganiello, Tito Adam Rodriguez, and their new friend Tobias Gabriel Iglesias in a role that, despite the unlikely, rather fits him tell stories, Mike finds the spark for dancing rekindled. A sequel like this operates on a field of landmines, with the possibility of veering into all glitz and tiresome dance numbers at every turn, but Carolin and Jacobs remind us why the original film captivated us so much by giving us a film about human pleasure and the desire to arouse and excite.We refocus on our titular character reprised by Channing Tatum, who is now the CEO of his own company and is making a living away from dancing. It could've been an endurance test of the highest degree, soaking everything in testosterone and surface-level dance numbers that would, in turn, add nothing to these characters and their personalities.Thankfully, writer Reid Carolin and director Gregory Jacobs take over the roles from the master Steven Soderbergh to deliver a film that does everything its predecessor does in a manner that relatively mirrors it but not to a fault. "gotcha" at the audience, discarding all of its thoughtfulness in exchange for overdoing everything it did with such nuance in the first film.
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